001 Beachcombers – Enclosures

Helen is admired by artists and collectors for her ability to paint successfully in many mediums and many styles. Her award-winning figurative, still life and seascape renderings capture the life and spirit of today’s Maine or the past.

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023 Criehaven Calm – Enclosures

Julie’s painting environment includes both the hills and farmland of Vermont and the small island of Criehaven, off the Maine coast. She often spends her time in Vermont working with other artists, which allows her to broaden her painting approach in watercolors and oils. When in Maine, Julie produces more isolated work, reflecting the calm simplicity of her island home.

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024 Evening Sail – Enclosures

Julie’s painting environment includes both the hills and farmland of Vermont and the small island of Criehaven, off the Maine coast. She often spends her time in Vermont working with other artists, which allows her to broaden her painting approach in watercolors and oils. When in Maine, Julie produces more isolated work, reflecting the calm simplicity of her island home.

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033 Blue Skiff, Cape Porpoise – Enclosures

Maine and Greg are a natural union. With his award-winning draftsmanship and composition, Greg does honor to the spartan farmhouse, the well worn skiff, or the rusty chain emerging from granite. With a degree in fine arts, Greg chose to live on the Maine coast after studying classical and contemporary art in France and Spain. Besides running McGrath Dunham Gallery, a comprehensive gallery in Castine, Maine with his wife, Pat. He also shows with Guild of Boston Artists at 162 Newbury Street, Boston and Rockport Art Assoc., 12 Main Street, Rockport, MA.

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063 Fog in the Morning – Enclosures

Throughout his long painting career, Larry has drawn upon the classical approaches he studied at Boston’s New England School of Art. He finds northern New England’s farm country, Gloucester Harbor, and the Maine coastline wonderful places to paint nature at its most glorious. He teaches workshops on Painting-on-Location at AVA Gallery in Lebanon, NH, and shows his work regularly at Rockport Art Association in Rockport, MA and Ebb Tide Gallery in Kennebunkport, ME.

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066 Skiff Abstractions I – Enclosures

Maine and Greg are a natural union. With his award-winning draftsmanship and composition, Greg does honor to the spartan farmhouse, the well worn skiff, or the rusty chain emerging from granite. With a degree in fine arts, Greg chose to live on the Maine coast after studying classical and contemporary art in France and Spain. Besides running McGrath Dunham Gallery, a comprehensive gallery in Castine, Maine with his wife, Pat. He also shows with Guild of Boston Artists at 162 Newbury Street, Boston and Rockport Art Assoc., 12 Main Street, Rockport, MA.

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078 Lighthouse at Night – Enclosures

Stapleton spent time studying the finest Boston School impressionists, whose influence is keenly felt in his depictions of his New England coastal surroundings. Mr. Kearns is a plein air painter, where he absorbs completely the scenes he depicts. In addition to oils, Stapleton has done murals currently on public view. He travels across the US to find painting locations, and has a gallery in Derry, NH bearing his name.

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079 Chickadee on Rosehips – Enclosures

Each season offers a particular beauty; the light, the colors, the shapes of the landscape and the activities of the inhabitants vary greatly from one to the next and evoke different moods.

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081 The Village Christmas Tree – Enclosures

Stapleton spent time studying the finest Boston School impressionists, whose influence is keenly felt in his depictions of his New England coastal surroundings. Mr. Kearns is a plein air painter, where he absorbs completely the scenes he depicts. In addition to oils, Stapleton has done murals currently on public view. He travels across the US to find painting locations, and has a gallery in Derry, NH bearing his name.

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087 Morning Light – Enclosures

Robert’s inspiring paintings are therapeutic images which soothe and renew the spirit. His motifs reflect the enjoyment of living in places characteristic of America at its best. Robert travels widely to paint and lecture, and his work is available in oils, pastels, serigraphs, prints and posters. Robert paints the American landscape from Maine to Florida & New York to California. He has homes and studios near Woodstock, NY and the Gulf of St. Lawrence, Cape Breton Island, Nova Scotia. He remains active in the Arts in Healthcare movement. His work can be seen at Spirit o’ the Sea Gallery, Cap Le Moine, Nove Scotia, Lyghtesome Gallery, Antigonish, Nova Scotia. A complete catalog of Robert’s upstate NY work is in his book, A Painter’s Path Through the Catskill Mountains; Landscapes in Pastel. Look for his 2006 book of the Cape Breton oil pastels in book stores.

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097 Sunset Path – Enclosures

Painter Susan Grabowski enjoys standing barefoot along shorelines and sand dunes, working quickly with her pastels to capture the glow of late afternoon sunlight on a well-trodden beach path. She has lived on the east and west coasts, enjoying the special characteristics of the terrain that meets the oceans.

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099 Early Morning Lighthouse – Enclosures

Painter Susan Grabowski enjoys standing barefoot along shorelines and sand dunes, working quickly with her pastels to capture the glow of late afternoon sunlight on a well-trodden beach path. She has lived on the east and west coasts, enjoying the special characteristics of the terrain that meets the oceans.

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102 Ahhh… – Enclosures

This slice of time is the perpetual challenge. Often elusive, rarely in your grasp. But oh, the piece of summer you savor. And every once in a while, get. This offered itself to me in the midst of a late May bike trip with two friends, briefly away from our families, our work, our responsibilities. Delicious

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112 Screen Porch – Enclosures

Robert’s inspiring paintings are therapeutic images which soothe and renew the spirit. His motifs reflect the enjoyment of living in places characteristic of America at its best. Robert travels widely to paint and lecture, and his work is available in oils, pastels, serigraphs, prints and posters. Robert paints the American landscape from Maine to Florida & New York to California. He has homes and studios near Woodstock, NY and the Gulf of St. Lawrence, Cape Breton Island, Nova Scotia. He remains active in the Arts in Healthcare movement. His work can be seen at Spirit o’ the Sea Gallery, Cap Le Moine, Nove Scotia, Lyghtesome Gallery, Antigonish, Nova Scotia. A complete catalog of Robert’s upstate NY work is in his book, A Painter’s Path Through the Catskill Mountains; Landscapes in Pastel. Look for his 2006 book of the Cape Breton oil pastels in book stores.

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113 Dice Head Light – Enclosures

Stapleton spent time studying the finest Boston School impressionists, whose influence is keenly felt in his depictions of his New England coastal surroundings. Mr. Kearns is a plein air painter, where he absorbs completely the scenes he depicts. In addition to oils, Stapleton has done murals currently on public view. He travels across the US to find painting locations, and has a gallery in Derry, NH bearing his name.

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114 Pemaquid in December – Enclosures

Clear color, magnetic atmospherics and free form washes characterize the distinguishing features of Vesta’s watercolors. Her loose, painterly style allows the viewer to feel an intimate connection with the scene and demonstrates Vesta’s control of the medium.

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128 The Patriot – Enclosures

This antique flag was catching the slanting light of a hazy, late afternoon in a quiet New England village. The painting is simple and rough, yet conveys the feeling of summer in another era.

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132 WINTER BIRCHES – Enclosures

Stefan Pastuhov’s inspiration comes from the rugged beauty that surrounds him in New England. He finds his subjects everywhere, from the rocky coastline, working harbors, deep in the woods, and in the hills and mountains. Through all kinds of weather, summer or winter, you can find him outside on location, painting. He shows his work at Bayview Gallery, Camden & Brunswick, Berkley Gallery, Virginia, McGrath Dunham Gallery, Castine, Argosy Gallery, Bar Harbor, South Street Gallery, Hingham, MA.

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135 After The Storm – Enclosures

Clear color, magnetic atmospherics and free form washes characterize the distinguishing features of Vesta’s watercolors. Her loose, painterly style allows the viewer to feel an intimate connection with the scene and demonstrates Vesta’s control of the medium.

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141 Castine Co-op – Enclosures

Painting brings Michie O’Day more joys than the shear thrill of expressing what you feel and see. As a deaf person, Michie believes silence sharpens her vision, allowing total absorption in her art. Her work is influenced by her artist grandmother, Queena Stovall, although Michie utilizes techniques that convey both primitive and refined points of view. She exhibits her work at Virginia’s Gallery, Stonington, ME.

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148 Sea Sprite – Enclosures

Joe enjoyed a successful career as a visual artist, with endless awards and commissions for his landscapes, still lifes and portraits. “Snow Field” rekindled a spark from his writing days: “Sunlight. Snow-bright covered fields in glowing white. Winter’s dazzling light display on a crisp and snowy day.” He was represented by Mast Cove Gallery in Kennebunk, ME and Travis Gallery in New Hope, PA.

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154 Island House With Lupines – Enclosures

There is something special about the light on an island in Maine. I am continually fascinated by the shadows at different times of the day and year. My artist daughter, Susan, and I paint together, endlessly inspiring and encouraging each other. Barbara’s award-winning silver jewelry can be seen at the Farnsworth Museum Shop, Rockland ME. See her paintings in a one-woman show, also in Rockland, at the Jonathan Frost Gallery.

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156 High Autumn – Enclosures

Scott grew up in the Washington D.C. area. The child of two artistic parents, a graduate of the Portland School of Art, Scott works in both oils and pastel. His interest in the outdoors provides a unique perspective on landscapes where the character of light is very important. Scott lives on the Maine coast where a converted post office provides his private studio space. He exhibits at Argosy Gallery, Bar Harbor, Clark House, Bangor, Bayview Gallery in Camden & Brunswick, McGrath Dunham in Castine, Maine Art in Kennebunkport, Powers Gallery, Acton, MA, and Richardson Gallery, Charleston, SC.

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163 Easy Living – Enclosures

Susan Hollis’s work is the expression of her delight and appreciation of the beauty of the natural world and the aesthetic harmony between structures. Her eye focuses on an intimate aspect of the larger scene. There is a desire when viewing her work to step into the confines of the frame to a world of color, light and tranquility. She is frequently accepted into annual national art shows, and exhibits her work at Art House Gallery, Brewster, MA and Mast Cove Gallery, Kennebunk, ME. She is a Copley Artist and a signature member in the Pastel Society of America and the Connecticut Pastel Society.

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164 Brant Point Light – Enclosures

Stapleton spent time studying the finest Boston School impressionists, whose influence is keenly felt in his depictions of his New England coastal surroundings. Mr. Kearns is a plein air painter, where he absorbs completely the scenes he depicts. In addition to oils, Stapleton has done murals currently on public view. He travels across the US to find painting locations, and has a gallery in Derry, NH bearing his name.

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171 December Morn – Enclosures

Liz Aberdale’s love of New England and its natural beauty are evident in her light-filled paintings. She paints on location (also known as “en plein air”) nearly all year round and wherever she travels. “December Morn” captures the energy and soft shapes enhanced by the sunlight, early in the day, after the storm. Liz lives on Cape Cod and is part owner of Chatham Art Gallery, Chatham, MA. She is a full-time artist, and travels extensively with her husband to expand her on-location subject matter.

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172 Sun on the First Snow – Enclosures

Aline’s academic art training and teaching career honed her skills as a figurative illustrator. After leaving an urban environment for country life in New Hampshire, her inspiration was redirected to rendering landscapes. Her work now shows the synthesis of beautiful countryside and presence of human or animal influence. She usually works in pastels, striving to reflect the brilliance of color as light falls on a peaceful farm. She has been selected as one of 5 Women to Watch in VT under the auspices of the Nat’l Museum of Women in Arts, Washington, DC. Her work can be seen at Camden Falls Gallery, Camden, Maine, West Branch Gallery, Stowe VT, Gallery on the Green, Woodstock VT, Chasen Gallery, Richmond VA, Banks Gallery, New London NH.

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177 Eastern Point Light – Enclosures

Carson, a graduate of Rhode Island School of Design, painted in oils and watercolors, both stateside and abroad.

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180 Green Shutters – Enclosures

Susan Hollis’s work is the expression of her delight and appreciation of the beauty of the natural world and the aesthetic harmony between structures. Her eye focuses on an intimate aspect of the larger scene. There is a desire when viewing her work to step into the confines of the frame to a world of color, light and tranquility. She is frequently accepted into annual national art shows, and exhibits her work at Art House Gallery, Brewster, MA and Mast Cove Gallery, Kennebunk, ME. She is a Copley Artist and a signature member in the Pastel Society of America and the Connecticut Pastel Society.

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183 Rowboats II – Enclosures

Vermont artist Kate Emlen describes her creative process this way: “When I paint I am thinking about the intensity of color, light and dark, and warm and cool. My brush goes however it will and, eventually, the landscape emerges.” Kate earned a BA in literature from Kirkland College and an MFA in graphic design from Yale University School of Art.

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188 Winter, Nubble Light – Enclosures

I love to paint in Maine, especially in winter. Don has won over 200 awards nationwide and has exhibited in the American Watercolor Society and the National Academy. Don has had a gallery in Rockport, Mass, since 1974.

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189 The Phantom Covered Bridge – Enclosures

I love to paint in Maine, especially in winter. Don has won over 200 awards nationwide and has exhibited in the American Watercolor Society and the National Academy. Don has had a gallery in Rockport, Mass, since 1974.

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192 Sentinels – Enclosures

The essence of tranquility is portrayed in this view of a local Belted Galloway herd. Jean experiments with many media, but most of her work is in oil or watercolor. A New Jersey native, former teacher, super parent, grandparent, community volunteer, Jean steals time to experiment with all kinds of medium in an attempt to free her creative soul.

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199 Two of Cups – Enclosures

This slice of time is the perpetual challenge. Often elusive, rarely in your grasp. But oh, the piece of summer you savor. And every once in a while, get. This offered itself to me in the midst of a late May bike trip with two friends, briefly away from our families, our work, our responsibilities. Delicious

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200 Port Clyde Light – Enclosures

When I think of summer in Maine I think of the ocean and the gardens that flourish by the water. Since her first village street scene was selected for the cover of Down East Magazine in 1980, Deborah has done countless folk paintings of villages, harbors and small businesses, as well as publication covers and posters for festivals and centennials. Her work can be seen at her own Fulton St. gallery in Rockland ME, Drawing Room Gallery in St. George, ME, and 3 times a year at The Garage Gallery at Eastern Tire in Rockland, with her Nine Lively Ladies group. Her recent tour of Serbia, Bulgaria and Greece with Downeast Singers provided her concentrated time to sketch the villages and countryside. Toyota is distributing a handsome 2010 calendar throughout northern Japan using 12 of Deborah’s early folk paintings.

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216 Last of the Windfalls – Enclosures

I’m sure that anyone growing up in New England has his or her own recollections of snowstorms big enough to cancel school (please, God). Looking back now, I wonder if fate often stepped in, you know, having a heavy snowfall on the eve of that big arithmetic test you didn’t study for, and if you only had an extra day to really study. Marieluise exhibits regularly at Frank J. Miele, NYC, Tree’s Place, Gallery on the Green, Woodstock, VT and Bayview Galleries in Camden and Brunswick.

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224 Winter Light – Enclosures

Robin Nuse is intrigued by the fleeting effect of light and shadow on the landscape. Using pastel, she creates bold composition of late autumn trees surrounded by the first winter snowfall. Nuse was greatly influenced by her grandfather, Roy Nuse, a Pennsylvania Impressionist painter. Robin has been juried into the Pastel Society Of America. Her current gallery affiliations include Long River Studios, Lyme, NH, Sleeper House Art Gallery, Stowe, VT and Potter & Slack Fine Art, Litchfield, CT.

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229 West Chop Lighthouse – Enclosures

I’m often amazed to find myself totally alone when I’m out shooting in the early morning, which is when I do a lot of my work. I come upon these incredible scenes, in beautiful light, and I’m the only one who’s enjoying the moment. I guess that’s why I do this–to show others what they’re missing. And to remind myself. Bert shows his work at Kennedy Studios on Martha’s Vineyard and Edgartown Scrimshaw Gallery. He can be found at his studio in Hampstead, NH.

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237 Christmas Light – Enclosures

When I think of summer in Maine I think of the ocean and the gardens that flourish by the water. Since her first village street scene was selected for the cover of Down East Magazine in 1980, Deborah has done countless folk paintings of villages, harbors and small businesses, as well as publication covers and posters for festivals and centennials. Her work can be seen at her own Fulton St. gallery in Rockland ME, Drawing Room Gallery in St. George, ME, and 3 times a year at The Garage Gallery at Eastern Tire in Rockland, with her Nine Lively Ladies group. Her recent tour of Serbia, Bulgaria and Greece with Downeast Singers provided her concentrated time to sketch the villages and countryside. Toyota is distributing a handsome 2010 calendar throughout northern Japan using 12 of Deborah’s early folk paintings.

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248 Lobster Dock – Enclosures

Robert’s inspiring paintings are therapeutic images which soothe and renew the spirit. His motifs reflect the enjoyment of living in places characteristic of America at its best. Robert travels widely to paint and lecture, and his work is available in oils, pastels, serigraphs, prints and posters. Robert paints the American landscape from Maine to Florida & New York to California. He has homes and studios near Woodstock, NY and the Gulf of St. Lawrence, Cape Breton Island, Nova Scotia. He remains active in the Arts in Healthcare movement. His work can be seen at Spirit o’ the Sea Gallery, Cap Le Moine, Nove Scotia, Lyghtesome Gallery, Antigonish, Nova Scotia. A complete catalog of Robert’s upstate NY work is in his book, A Painter’s Path Through the Catskill Mountains; Landscapes in Pastel. Look for his 2006 book of the Cape Breton oil pastels in book stores.

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279 Gilman Road Farm – Enclosures

I paint in Maine, and the landscape and architecture that surrounds me continue to be my favorite jumping off points. I push and pull color around these forms trying to find combinations that feel right. I am not restrained by local color or the hard/fast rules of perspective. The application of paint, the resonance of colors against each other, the muscularity of shapes and the temperature of light and dark are my guides.

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283 Knee Deep – Enclosures

I’m sure that anyone growing up in New England has his or her own recollections of snowstorms big enough to cancel school (please, God). Looking back now, I wonder if fate often stepped in, you know, having a heavy snowfall on the eve of that big arithmetic test you didn’t study for, and if you only had an extra day to really study. Marieluise exhibits regularly at Frank J. Miele, NYC, Tree’s Place, Gallery on the Green, Woodstock, VT and Bayview Galleries in Camden and Brunswick.

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303 Three Men and a Lobster – Enclosures

From my studio I can watch the boats working in the early morning, then take my boat to the nearby commercial dock to sketch. My inspiration is the wonderful color and shapes: boats arriving and departing, fishermen readying the bait, the traps, the weighing, the changing tides and weather.

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309 Hummingbird and Delphinium – Enclosures

This view is from our kitchen looking out the south window into the dooryard.

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310 Southern Exposure – Enclosures

Inspired by the work of traditional American artists such as Winslow Homer and Andrew Wyeth, Applegate’s paintings capture ordinary moments in the day, filling them with special light. Award winning work by the artist can be found in private and corporate collections throughout the United States. Barbara offers paintings, prints and painting demonstrations on her website, www.barbaraapplegate.com.

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801 Meg’s Window Box – Enclosures

Painting brings Michie O’Day more joys than the shear thrill of expressing what you feel and see. As a deaf person, Michie believes silence sharpens her vision, allowing total absorption in her art. Her work is influenced by her artist grandmother, Queena Stovall, although Michie utilizes techniques that convey both primitive and refined points of view. She exhibits her work at Virginia’s Gallery, Stonington, ME.

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803 One for the Buoys – Enclosures

Joe enjoyed a successful career as a visual artist, with endless awards and commissions for his landscapes, still lifes and portraits. “Snow Field” rekindled a spark from his writing days: “Sunlight. Snow-bright covered fields in glowing white. Winter’s dazzling light display on a crisp and snowy day.” He was represented by Mast Cove Gallery in Kennebunk, ME and Travis Gallery in New Hope, PA.

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804 Old Friends – Enclosures

Susan Hollis’s work is the expression of her delight and appreciation of the beauty of the natural world and the aesthetic harmony between structures. Her eye focuses on an intimate aspect of the larger scene. There is a desire when viewing her work to step into the confines of the frame to a world of color, light and tranquility. She is frequently accepted into annual national art shows, and exhibits her work at Art House Gallery, Brewster, MA and Mast Cove Gallery, Kennebunk, ME. She is a Copley Artist and a signature member in the Pastel Society of America and the Connecticut Pastel Society.

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806 New England’s Finest – Enclosures

Combining her love of both oil painting and the outdoors, Beth Ellis finds plein air (open air) painting very fulfilling. In addition to her own location work. Beth also teaches workshops in Connecticut and along the coast of Maine. She operates a seasonal gallery, Beth Ellis Cove Gallery in Perkins Cove, Ogunquit, ME. Her Connecticut studio is open from Nov. to April.

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813 Hush – Enclosures

Sally found it easy to “sum up her world.” “I am always inspired by New England’s beauty and clarity, and by its connection to the past. My collection of old photographs provides me with a cast of characters to fire my imagination.”

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814 Bedford Village – Enclosures

Sally found it easy to “sum up her world.” “I am always inspired by New England’s beauty and clarity, and by its connection to the past. My collection of old photographs provides me with a cast of characters to fire my imagination.”

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815 Pumpkin Light – Enclosures

Carol Sebold moved to the Maine coast from Toledo, Ohio. In addition to producing her atmospheric watercolors, she taught painting on land, on the Schooner Roseway, and through an instructional video. Many of her images are available in signed and numbered limited edition reproductions. Her remaining work shows at Gallery at Saturday Cove, Northport, ME.

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821 Summer Red – Enclosures

Painting brings Michie O’Day more joys than the shear thrill of expressing what you feel and see. As a deaf person, Michie believes silence sharpens her vision, allowing total absorption in her art. Her work is influenced by her artist grandmother, Queena Stovall, although Michie utilizes techniques that convey both primitive and refined points of view. She exhibits her work at Virginia’s Gallery, Stonington, ME.

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