023 Criehaven Calm – Cards
Julie’s painting environment includes both the hills and farmland of Vermont and the small island of Criehaven, off the Maine coast. She often spends her time in Vermont and New Hampshire, working with other artists, which allows her to broaden her painting approach in watercolors and oils. When in Maine, Julie produces more isolated work, reflecting the calm simplicity of her island home.
023 Criehaven Calm – Enclosures
Julie’s painting environment includes both the hills and farmland of Vermont and the small island of Criehaven, off the Maine coast. She often spends her time in Vermont working with other artists, which allows her to broaden her painting approach in watercolors and oils. When in Maine, Julie produces more isolated work, reflecting the calm simplicity of her island home.
023 Criehaven Calm – Matted Card
Julie’s painting environment includes both the hills and farmland of Vermont and the small island of Criehaven, off the Maine coast. She often spends her time in Vermont working with other artists, which allows her to broaden her painting approach in watercolors and oils. When in Maine, Julie produces more isolated work, reflecting the calm simplicity of her island home.
024 Evening Sail – Cards
Julie’s painting environment includes both the hills and farmland of Vermont and the small island of Criehaven, off the Maine coast. She often spends her time in Vermont and New Hampshire, working with other artists, which allows her to broaden her painting approach in watercolors and oils. When in Maine, Julie produces more isolated work, reflecting the calm simplicity of her island home.
024 Evening Sail – Enclosures
Julie’s painting environment includes both the hills and farmland of Vermont and the small island of Criehaven, off the Maine coast. She often spends her time in Vermont working with other artists, which allows her to broaden her painting approach in watercolors and oils. When in Maine, Julie produces more isolated work, reflecting the calm simplicity of her island home.
024 Evening Sail – Journal Large
Julie’s painting environment includes both the hills and farmland of Vermont and the small island of Criehaven, off the Maine coast. She often spends her time in Vermont working with other artists, which allows her to broaden her painting approach in watercolors and oils. When in Maine, Julie produces more isolated work, reflecting the calm simplicity of her island home.
024 Evening Sail – Journal Small
Julie’s painting environment includes both the hills and farmland of Vermont and the small island of Criehaven, off the Maine coast. She often spends her time in Vermont working with other artists, which allows her to broaden her painting approach in watercolors and oils. When in Maine, Julie produces more isolated work, reflecting the calm simplicity of her island home.
024 Evening Sail – Magnet
Julie’s painting environment includes both the hills and farmland of Vermont and the small island of Criehaven, off the Maine coast. She often spends her time in Vermont working with other artists, which allows her to broaden her painting approach in watercolors and oils. When in Maine, Julie produces more isolated work, reflecting the calm simplicity of her island home.
024 Evening Sail – Matted Card
Julie’s painting environment includes both the hills and farmland of Vermont and the small island of Criehaven, off the Maine coast. She often spends her time in Vermont working with other artists, which allows her to broaden her painting approach in watercolors and oils. When in Maine, Julie produces more isolated work, reflecting the calm simplicity of her island home.
032 Wadsworth Cove – Matted Card
Stapleton spent time studying the finest Boston School impressionists, whose influence is keenly felt in his depictions of his New England coastal surroundings. Mr. Kearns is a plein air painter, where he absorbs completely the scenes he depicts. In addition to oils, Stapleton has done murals currently on public view.