201 Real Life – Matted Card

Virginia’s torn and cut paper collages include art papers and pieces of magazine colors and images, assembled to portray her fondness for her surroundings. After two decades of teaching art around the world, Stonington, Maine, a working fishing village, is home to Virginia and her gallery, and life seems real. She has run her own gallery in Stonington for decades, and plans to experiment with retirement soon.

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202 Windjammer Days – Cards

Sally found it easy to “sum up her world.” “I am always inspired by New England’s beauty and clarity, and by its connection to the past. My collection of old photographs provides me with a cast of characters to fire my imagination.”

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202 Windjammer Days – Matted Card

Sally found it easy to “sum up her world.” “I am always inspired by New England’s beauty and clarity, and by its connection to the past. My collection of old photographs provides me with a cast of characters to fire my imagination.”

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204 Schooner At Anchor – Cards

Carol Sebold moved to the Maine coast from Toledo, Ohio. In addition to producing her atmospheric watercolors, she taught painting on land, on the Schooner Roseway, and through an instructional video. Many of her images are available in signed and numbered limited edition reproductions. Her remaining work shows at Gallery at Saturday Cove, Northport, ME.

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204 Schooner At Anchor – Matted Card

Carol Sebold moved to the Maine coast from Toledo, Ohio. In addition to producing her atmospheric watercolors, she taught painting on land, on the Schooner Roseway, and through an instructional video. Many of her images are available in signed and numbered limited edition reproductions. Her remaining work shows at Gallery at Saturday Cove, Northport, ME.

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228 Red Kayaks – Cards

I’m often amazed to find myself totally alone when I’m out shooting in the early morning, which is when I do a lot of my work. I come upon these incredible scenes, in beautiful light, and I’m the only one who’s enjoying the moment. I guess that’s why I do this–to show others what they’re missing. And to remind myself. Bert shows his work at Kennedy Studios on Martha’s Vineyard and Edgartown Scrimshaw Gallery.

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228 Red Kayaks – Matted Card

I’m often amazed to find myself totally alone when I’m out shooting in the early morning, which is when I do a lot of my work. I come upon these incredible scenes, in beautiful light, and I’m the only one who’s enjoying the moment. I guess that’s why I do this–to show others what they’re missing. And to remind myself. Bert shows his work at Kennedy Studios on Martha’s Vineyard and Edgartown Scrimshaw Gallery. He can be found at his studio in Hampstead, NH.

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235 Knockabout, Late Afternoon – Cards

A year-round island resident, Herb paints from his 30′ lobsterboat in the warmer months, and from his studio during the winter. Between painting and family and running his summer business, he occasionally gets to sail his own gaff-rigged knockabout. Visit his Calderwood Hall Gallery on North Haven, or see his work at Archipelago, Rockland, Maine.

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235 Knockabout, Late Afternoon – Journal Large

A year-round island resident, Herb paints from his 30′ lobsterboat in the warmer months, and from his studio during the winter. Between painting and family and running his summer business, he occasionally gets to sail his own gaff-rigged knockabout. Visit his Calderwood Hall Gallery on North Haven, or see his work at Archipelago, Rockland, Maine.

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235 Knockabout, Late Afternoon – Journal Small

A year-round island resident, Herb paints from his 30′ lobsterboat in the warmer months, and from his studio during the winter. Between painting and family and running his summer business, he occasionally gets to sail his own gaff-rigged knockabout. Visit his Calderwood Hall Gallery on North Haven, or see his work at Archipelago, Rockland, Maine.

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