243 Jim – Cards

There’s a simplicity and optimism in my work. I have learned that what is truly essential is close to home and surfaces in the tiny details which surround me each moment. …When I was a child, my father told me that happiness is a decision we make and that love is the center of all. These feelings are the ingredients of my paintings.

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243 Jim – Matted Card

There’s a simplicity and optimism in my work. I have learned that what is truly essential is close to home and surfaces in the tiny details which surround me each moment. …When I was a child, my father told me that happiness is a decision we make and that love is the center of all. These feelings are the ingredients of my paintings.

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244 Packing – Cards

There’s a simplicity and optimism in my work. I have learned that what is truly essential is close to home and surfaces in the tiny details which surround me each moment. …When I was a child, my father told me that happiness is a decision we make and that love is the center of all. These feelings are the ingredients of my paintings.

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244 Packing – Matted Card

There’s a simplicity and optimism in my work. I have learned that what is truly essential is close to home and surfaces in the tiny details which surround me each moment. …When I was a child, my father told me that happiness is a decision we make and that love is the center of all. These feelings are the ingredients of my paintings.

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247 Tying Up – Matted Card

The coastline is my major source of inspiration. The contrasts and tensions along the water’s edge, the movement and interaction of sky, water and land make painting here a series of ‘A-Ha! Moments’ of discovery and delight. American Artist Magazine plans to feature an article about how John works soon. The Erlich Gallery in Marblehead Mass. exhibits his work.

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250 Crack the Whip, Six Person – Cards

Jane took her first drawing class in 1996 after her first born had left for college. She quickly moved into working with pastels, where the color “knocks her out”. She works on site doing landscapes, but often appreciates the constant conditions of her studio.

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250 Crack the Whip, Six Person – Matted Card

Jane took her first drawing class in 1996 after her first born had left for college. She quickly moved into working with pastels, where the color “knocks her out”. She works on site doing landscapes, but often appreciates the constant conditions of her studio.

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259 THE LOBSTERMAN – Matted Card

Combining her love of both oil painting and the outdoors, Beth Ellis finds plein air (open air) painting very fulfilling. In addition to her own location work. Beth also teaches workshops in Connecticut and along the coast of Maine. She operates a seasonal gallery, Beth Ellis Cove Gallery in Perkins Cove, Ogunquit, ME. Her Connecticut studio is open from Nov. to April.

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266 SUMMER VACATION – Cards

Gretchen shows at the Smith-Klein Gallery, Wright Gallery and Powers Gallery, and The Gallery on Chase Hill, Kennebunkport, ME.

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266 SUMMER VACATION – Magnet

Gretchen shows at the Smith-Klein Gallery, Wright Gallery and Powers Gallery, and The Gallery on Chase Hill, Kennebunkport, ME.

Summer Vacation by Gretchen Warren

Summer Vacation by Gretchen Warren

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