209 Cranberry Dock – Cards

Jane took her first drawing class in 1996 after her first born had left for college. She quickly moved into working with pastels, where the color “knocks her out”. She works on site doing landscapes, but often appreciates the constant conditions of her studio.

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209 Cranberry Dock – Matted Card

Jane took her first drawing class in 1996 after her first born had left for college. She quickly moved into working with pastels, where the color “knocks her out”. She works on site doing landscapes, but often appreciates the constant conditions of her studio.

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210 Island Sunset – Cards

“The light changes almost every minute of the day,” says New York artist Sonya Sklaroff. Her summer trips to Maine provide year-round inspiration for her work, which deftly incorporates the nuances of light to capture not just a place, but a moment. Sklaroff holds a BFA from the Rhode Island School of Design and an MFA from the Parsons School of Design. Her paintings are exhibited and held in public and private collections around the world.

www.SonyaSklaroff.com

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210 Island Sunset – Matted Card

“The light changes almost every minute of the day,” says New York artist Sonya Sklaroff. Her summer trips to Maine provide year-round inspiration for her work, which deftly incorporates the nuances of light to capture not just a place, but a moment. Sklaroff holds a BFA from the Rhode Island School of Design and an MFA from the Parsons School of Design. Her paintings are exhibited and held in public and private collections around the world.

www.SonyaSklaroff.com

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214 View at the Top – Journal Large

Wendy’s work is representational and reflects the beauty of the Maine landscape. She is also sought out for her mural work, both for the public and private sector. L.L.Bean has chosen her work for their 2005 & 2006 summer catalog covers. Her work can be seen at Bayview Gallery in Brunswick and Hole in the Wall Gallery in Casco, Maine.

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214 View at the Top – Journal Small

Wendy’s work is representational and reflects the beauty of the Maine landscape. She is also sought out for her mural work, both for the public and private sector. L.L.Bean has chosen her work for their 2005 & 2006 summer catalog covers. Her work can be seen at Bayview Gallery in Brunswick and Hole in the Wall Gallery in Casco, Maine.

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214 View at The Top – Matted Card

Wendy’s work is representational and reflects the beauty of the Maine landscape. She is also sought out for her mural work, both for the public and private sector. L.L.Bean has chosen her work for their 2005 & 2006 summer catalog covers. Her work can be seen at Bayview Gallery in Brunswick and Hole in the Wall Gallery in Casco, Maine.

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228 Red Kayaks – Cards

I’m often amazed to find myself totally alone when I’m out shooting in the early morning, which is when I do a lot of my work. I come upon these incredible scenes, in beautiful light, and I’m the only one who’s enjoying the moment. I guess that’s why I do this–to show others what they’re missing. And to remind myself. Bert shows his work at Kennedy Studios on Martha’s Vineyard and Edgartown Scrimshaw Gallery.

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228 Red Kayaks – Matted Card

I’m often amazed to find myself totally alone when I’m out shooting in the early morning, which is when I do a lot of my work. I come upon these incredible scenes, in beautiful light, and I’m the only one who’s enjoying the moment. I guess that’s why I do this–to show others what they’re missing. And to remind myself. Bert shows his work at Kennedy Studios on Martha’s Vineyard and Edgartown Scrimshaw Gallery. He can be found at his studio in Hampstead, NH.

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234 Lights Across the Harbor – Matted Card

For Ellen, there is a need for art to “celebrate living and our connection to the earth, sustain our spirit, honor nature, and speak of its mystery and sacredness.” Ellen lives year round on Mt. Desert Island in Maine. There she paints the places that reflect the spirit of the woods, mountains, and shores of her island home. She has exhibited with the National Watercolor Society, is a signature member of the New England Watercolor Society, and her card titled “Apple Trees in Snow” was nominated for a Louis Award in 2001.

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