Julie’s painting environment includes both the hills and farmland of Vermont and the small island of Criehaven, off the Maine coast. She often spends her time in Vermont working with other artists, which allows her to broaden her painting approach in watercolors and oils. When in Maine, Julie produces more isolated work, reflecting the calm simplicity of her island home.

Julie’s painting environment includes both the hills and farmland of Vermont and the small island of Criehaven, off the Maine coast. She often spends her time in Vermont and New Hampshire, working with other artists, which allows her to broaden her painting approach in watercolors and oils. When in Maine, Julie produces more isolated work, reflecting the calm simplicity of her island home.

Julie’s painting environment includes both the hills and farmland of Vermont and the small island of Criehaven, off the Maine coast. She often spends her time in Vermont working with other artists, which allows her to broaden her painting approach in watercolors and oils. When in Maine, Julie produces more isolated work, reflecting the calm simplicity of her island home.

Julie’s painting environment includes both the hills and farmland of Vermont and the small island of Criehaven, off the Maine coast. She often spends her time in Vermont working with other artists, which allows her to broaden her painting approach in watercolors and oils. When in Maine, Julie produces more isolated work, reflecting the calm simplicity of her island home.

Julie’s painting environment includes both the hills and farmland of Vermont and the small island of Criehaven, off the Maine coast. She often spends her time in Vermont working with other artists, which allows her to broaden her painting approach in watercolors and oils. When in Maine, Julie produces more isolated work, reflecting the calm simplicity of her island home.

Julie’s painting environment includes both the hills and farmland of Vermont and the small island of Criehaven, off the Maine coast. She often spends her time in Vermont working with other artists, which allows her to broaden her painting approach in watercolors and oils. When in Maine, Julie produces more isolated work, reflecting the calm simplicity of her island home.

Julie’s painting environment includes both the hills and farmland of Vermont and the small island of Criehaven, off the Maine coast. She often spends her time in Vermont working with other artists, which allows her to broaden her painting approach in watercolors and oils. When in Maine, Julie produces more isolated work, reflecting the calm simplicity of her island home.

Stapleton spent time studying the finest Boston School impressionists, whose influence is keenly felt in his depictions of his New England coastal surroundings. Mr. Kearns is a plein air painter, where he absorbs completely the scenes he depicts. In addition to oils, Stapleton has done murals currently on public view.

Maine and Greg are a natural union. With his award-winning draftsmanship and composition, Greg does honor to the spartan farmhouse, the well worn skiff, or the rusty chain emerging from granite. With a degree in fine arts, Greg chose to live on the Maine coast after studying classical and contemporary art in France and Spain. He shows with Guild of Boston Artists at 162 Newbury Street, Boston and Rockport Art Assoc., 12 Main Street, Rockport, MA.

Maine and Greg are a natural union. With his award-winning draftsmanship and composition, Greg does honor to the spartan farmhouse, the well worn skiff, or the rusty chain emerging from granite. With a degree in fine arts, Greg chose to live on the Maine coast after studying classical and contemporary art in France and Spain. Besides running McGrath Dunham Gallery, a comprehensive gallery in Castine, Maine with his wife, Pat. He also shows with Guild of Boston Artists at 162 Newbury Street, Boston and Rockport Art Assoc., 12 Main Street, Rockport, MA.