091 Island Inn – Cards

Painting in a style that ranges from contemporary photo-realism to nineteenth century luminism, John focuses on depicting the Maine coast from Boothbay to Mt. Desert Island. He has received numerous awards, including three from the American Watercolor Society. His paintings have been featured in American Artist magazine and in the book Marine Painting: Techniques of Modern Masters. Watson-Guptill included him in Marine Painting, and North Light Books included him in Splash-America’s Best Contemporary Watercolor. He is president of the Connecticut Watercolor Society, and shows his work at Maritime Gallery, Mystic Seaport, CT

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091 Island Inn – Matted Card

Painting in a style that ranges from contemporary photo-realism to nineteenth century luminism, John focuses on depicting the Maine coast from Boothbay to Mt. Desert Island. He has received numerous awards, including three from the American Watercolor Society. His paintings have been featured in American Artist magazine and in the book Marine Painting: Techniques of Modern Masters. Watson-Guptill included him in Marine Painting, and North Light Books included him in Splash-America’s Best Contemporary Watercolor. He is president of the Connecticut Watercolor Society, and shows his work at Maritime Gallery, Mystic Seaport, CT

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183 Rowboats II – Cards

Vermont artist Kate Emlen describes her creative process this way: “When I paint I am thinking about the intensity of color, light and dark, and warm and cool. My brush goes however it will and, eventually, the landscape emerges.” Kate earned a BA in literature from Kirkland College and an MFA in graphic design from Yale University School of Art.

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183 Rowboats II – Enclosures

Vermont artist Kate Emlen describes her creative process this way: “When I paint I am thinking about the intensity of color, light and dark, and warm and cool. My brush goes however it will and, eventually, the landscape emerges.” Kate earned a BA in literature from Kirkland College and an MFA in graphic design from Yale University School of Art.

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183 Rowboats II – Matted Card

Vermont artist Kate Emlen describes her creative process this way: “When I paint I am thinking about the intensity of color, light and dark, and warm and cool. My brush goes however it will and, eventually, the landscape emerges.” Kate earned a BA in literature from Kirkland College and an MFA in graphic design from Yale University School of Art.

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187 Blue Motif – Cards

Stapleton spent time studying the finest Boston School impressionists, whose influence is keenly felt in his depictions of his New England coastal surroundings. Mr. Kearns is a plein air painter, where he absorbs completely the scenes he depicts. In addition to oils, Stapleton has done murals currently on public view. He travels across the US to find painting locations, and has a gallery in Derry, NH bearing his name.

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187 Blue Motif – Matted Card

Stapleton spent time studying the finest Boston School impressionists, whose influence is keenly felt in his depictions of his New England coastal surroundings. Mr. Kearns is a plein air painter, where he absorbs completely the scenes he depicts. In addition to oils, Stapleton has done murals currently on public view. He travels across the US to find painting locations, and has a gallery in Derry, NH bearing his name.

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201 Real Life – Cards

Virginia’s torn and cut paper collages include art papers and pieces of magazine colors and images, assembled to portray her fondness for her surroundings. After two decades of teaching art around the world, Stonington, Maine, a working fishing village, is home to Virginia and her gallery, and life seems real. She has run her own gallery in Stonington for decades, and plans to experiment with retirement soon.

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201 Real Life – Matted Card

Virginia’s torn and cut paper collages include art papers and pieces of magazine colors and images, assembled to portray her fondness for her surroundings. After two decades of teaching art around the world, Stonington, Maine, a working fishing village, is home to Virginia and her gallery, and life seems real. She has run her own gallery in Stonington for decades, and plans to experiment with retirement soon.

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202 Windjammer Days – Cards

Sally found it easy to “sum up her world.” “I am always inspired by New England’s beauty and clarity, and by its connection to the past. My collection of old photographs provides me with a cast of characters to fire my imagination.”

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