300 Snug Harbour – Cards

Robert’s inspiring paintings are therapeutic images which soothe and renew the spirit. His motifs reflect the enjoyment of living in places characteristic of America at its best. Robert travels widely to paint and lecture, and his work is available in oils, pastels, serigraphs, prints and posters. Robert paints the American landscape from Maine to Florida & New York to California. He has homes and studios near Woodstock, NY and the Gulf of St. Lawrence, Cape Breton Island, Nova Scotia. He remains active in the Arts in Healthcare movement. His work can be seen at Spirit o’ the Sea Gallery, Cap Le Moine, Nove Scotia, Lyghtesome Gallery, Antigonish, Nova Scotia. A complete catalog of Robert’s upstate NY work is in his book, A Painter’s Path Through the Catskill Mountains; Landscapes in Pastel. Look for his 2006 book of the Cape Breton oil pastels in book stores.

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300 Snug Harbour – Matted Card

Robert’s inspiring paintings are therapeutic images which soothe and renew the spirit. His motifs reflect the enjoyment of living in places characteristic of America at its best. Robert travels widely to paint and lecture, and his work is available in oils, pastels, serigraphs, prints and posters. Robert paints the American landscape from Maine to Florida & New York to California. He has homes and studios near Woodstock, NY and the Gulf of St. Lawrence, Cape Breton Island, Nova Scotia. He remains active in the Arts in Healthcare movement. His work can be seen at Spirit o’ the Sea Gallery, Cap Le Moine, Nove Scotia, Lyghtesome Gallery, Antigonish, Nova Scotia. A complete catalog of Robert’s upstate NY work is in his book, A Painter’s Path Through the Catskill Mountains; Landscapes in Pastel. Look for his 2006 book of the Cape Breton oil pastels in book stores.

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306 McLoon’s Wharf – Cards

When I think of summer in Maine I think of the ocean and the gardens that flourish by the water. Since her first village street scene was selected for the cover of Down East Magazine in 1980, Deborah has done countless folk paintings of villages, harbors and small businesses, as well as publication covers and posters for festivals and centennials. Her work can be seen at her own Fulton St. gallery in Rockland ME, Drawing Room Gallery in St. George, ME, and 3 times a year at The Garage Gallery at Eastern Tire in Rockland, with her Nine Lively Ladies group. Her recent tour of Serbia, Bulgaria and Greece with Downeast Singers provided her concentrated time to sketch the villages and countryside. Toyota is distributing a handsome 2010 calendar throughout northern Japan using 12 of Deborah’s early folk paintings.

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306 McLoon’s Wharf – Matted Card

When I think of summer in Maine I think of the ocean and the gardens that flourish by the water. Since her first village street scene was selected for the cover of Down East Magazine in 1980, Deborah has done countless folk paintings of villages, harbors and small businesses, as well as publication covers and posters for festivals and centennials. Her work can be seen at her own Fulton St. gallery in Rockland ME, Drawing Room Gallery in St. George, ME, and 3 times a year at The Garage Gallery at Eastern Tire in Rockland, with her Nine Lively Ladies group. Her recent tour of Serbia, Bulgaria and Greece with Downeast Singers provided her concentrated time to sketch the villages and countryside. Toyota is distributing a handsome 2010 calendar throughout northern Japan using 12 of Deborah’s early folk paintings.

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311 Learning to Paddle – Cards

Atmospherics, light, contrasts, gesture and composition are among Suzanne’s special qualities in her watercolors. She teaches private watercolor classes and holds watercolor workshops in Maine and Connecticut. Suzanne is represented at Landing Gallery, Rockland ME, Greene Art Gallery in Guilford, CT, Charlestown Art Gallery in Charlestown, RI, and Isalos Gallery in Stonington, ME.

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311 Learning to Paddle – Matted Card

Atmospherics, light, contrasts, gesture and composition are among Suzanne’s special qualities in her watercolors. She teaches private watercolor classes and holds watercolor workshops in Maine and Connecticut.  Suzanne is represented at Landing Gallery in Rockland ME, Greene Art Gallery in Guilford, CT, Charlestown Art Gallery in Charlestown, RI, and Isalos Gallery in Stonington, ME.

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318 HARBOR MORNING, CAMDEN – Cards

The phrase “Local Color” can refer to a distinctive style native to a certain area. In Maine, lobstermen identify their fishing gear by individual color combinations painted on the buoys attached to their traps. Taking the New England dory, rounded lobster traps and striped buoys as its subject, this painting exemplifies the duality of the phrase.

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318 HARBOR MORNING, CAMDEN – Matted Card

The phrase “Local Color” can refer to a distinctive style native to a certain area. In Maine, lobstermen identify their fishing gear by individual color combinations painted on the buoys attached to their traps. Taking the New England dory, rounded lobster traps and striped buoys as its subject, this painting exemplifies the duality of the phrase.

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319 LOCAL COLOR – Cards

The phrase “Local Color” can refer to a distinctive style native to a certain area. In Maine, lobstermen identify their fishing gear by individual color combinations painted on the buoys attached to their traps. Taking the New England dory, rounded lobster traps and striped buoys as its subject, this painting exemplifies the duality of the phrase.

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319 LOCAL COLOR – Matted Card

The phrase “Local Color” can refer to a distinctive style native to a certain area. In Maine, lobstermen identify their fishing gear by individual color combinations painted on the buoys attached to their traps. Taking the New England dory, rounded lobster traps and striped buoys as its subject, this painting exemplifies the duality of the phrase.

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Price: $22.00

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